Specialisation non-fictional production management: Post-production
Brief description
Analogue and digital post-production, cur, personnel, time, costs
Workflow and state-of-the-art of digital post-production in different audio-visual media genres and hybrid forms
Film laboratory, post-production studio and recording studio
Current technological standards and different recording and output formats (broadcasting formats, digital distribution formats).
Mode of delivery
face to face
Type
compulsory
Recommended or required reading and other learning resources/tools
Clark, B., Spohr, S. (2019) The Guide to Managing Postproduction for Film, TV, and Digital Distribution: Managing the Process, Routledge.
Planned learning activities and teaching methods
Lecture and simulations, discussions, presentations, group work.
Assessment methods and criteria
Final written exam (70%)
Content criteria: degree of problem determination and problem characterisation
Formal criteria: completeness of answers, linguistic expression, autonomy of result presentation
Continuous assessment (30%): Individual and group work und presentation including evaluated partial exams, active contributions in the course, complexity of solutions with regards to professional competence and methodical expertise, quality of presentation.
Prerequisites and co-requisites
Module "Film and media technology 1" und " Film and media technology 2".
Infos
Degree programme
Produktionsmanagement Film-, TV- und Streaming
Cycle
Bachelor
ECTS Credits
3.00
Language of instruction
German
Curriculum
Full-Time
Academic year
2023
Semester
5 WS
Incoming
No
Learning outcome
After successful completion of the course, the students can
plan and calculate the processes and scale of tasks in the post-production of fictional formals of cinema, TV and streaming
professionally collaborate with service companies and experts in the area of post-production.
Course code
1702-23-01-VZ-DE-47b