European film financing and co-production
Brief description
Legal and economic frameworks of European co-productions
Models of co-productions
Role of public funding as financing instrument, role of private and public TV channels as financiers
Cooperation with distribution as a marketing instrument, means of market assessment (sales estimates) and as financing instrument (minimum warranty)
Risk management in co-production
Recoupment structures and plans
Mode of delivery
face to face
Type
compulsory
Recommended or required reading and other learning resources/tools
Neumann, P. / Appelgren, C. (2007): The fine art of co-producing: [handbook for film producers], 2. Aufl., Kopenhagen: Neumann Publishing House Inc.
Planned learning activities and teaching methods
Lecture, discussion, case analysis, group and individual work.
Assessment methods and criteria
Final written exam (70%)
Content criteria: degree of problem determination and problem characterisation
Formal criteria: completeness of answers, linguistic expression, autonomy of result presentation
Continuous assessment (30%): Individual and group work und presentation including evaluated partial exams, active contributions in the course, complexity of solutions with regards to professional competence and methodical expertise, quality of presentation.
Prerequisites and co-requisites
Module “Production calculation” and the course “Logistics in film production”.
Infos
Degree programme
Produktionsmanagement Film-, TV- und Streaming
Cycle
Bachelor
ECTS Credits
3.00
Language of instruction
German
Curriculum
Full-Time
Academic year
2023
Semester
5 WS
Incoming
No
Learning outcome
After successful completion of the course, the students can
name possible European financing sources for film projects
analyse their compatibility and connections with one another
identify structures, frameworks and processes of co-productions
develop financing models for co-production groups
identify and evaluate opportunities and risks of co-productions
Course code
1702-23-01-VZ-DE-52